Concept drawing

My first concept drawing shows the proposed scale of the sculpture in Pool B, Gunwharf Quays.  The composition of the right hand diver will flow a little more as the sculpture materialises.

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Progress photos

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A model poses to help me with the proportions and movement of the legs. Fitting the charge and positioning the hands Fitting the charge and positioning the hands The charge pack here well on the way to being modelled in two-part filler.  The summer heat dries out small volumes of clay and so, wherever possible I try to use non-water-based materials. The shackle is fitted to the base of the mine. Now the movements and proportions are in place, and the contact points set, it is time to begin refining the anatomy. It's that work experience time of year again...here 15 year old Tish is spending a week in the studio.  Her first task is to reduce one of the gas bottles to half-life size.   Tish recording the dimensions of the mask so that I can raise it up and retain the proportions At last, I feel that I have got the composition flowing and the contact points ready to present to the structural engineer,  Darren
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Background research day

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David Sandiford organised a series of meetings and visits to potential sites for the monument by way of introducing me to the field of mine disposal and safe rendering of live ordnance.  In a nutshell, we, the general public, have little or no idea of what these teams of calm, sensitive service men and women do on our behalf.  To give you an idea, the team I met at the  Defence Diving School, Horsea Island are called out to attend to an actual or suspect  bomb approximately every 18 hours....and that is just one team....and that means that, despite the high level of training, skill and equipment, their lives are at very real risk once a day; and people are killed in the course of this work.  At risk of sounding pompous I felt, at the end of this day, a desire to say a big thank you to these men and women, on behalf of us all. Here are a few pictures from the day First stop HMS Collingwood to measure up a MkXVII mine. Next, the Diving Museum at Gosport courtesy of John Beva
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Figure reference

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The big question in this project has always been how to get figure reference so that the two divers flow as if suspended in water and give some indication that they are negotiating a gentle tide while working to attach the explosives to the lower half of the mine.  Given that the chances of a model holding such positions long enough to work from are slim, I decided to catch the movement by way of 3D scans and then use the results as my reference.  To do this, Misti constructed a sling system with slip and grip knots so that limbs could be manoeuvred to correspond to the maquette positions. I am fortunate to have a gym nearby which is run by the remarkable Andy Hackney .  Andy kindly agreed to model in what turned out to be a strenuous position.  To get a scan, Ian from Europac3D  needed Andy to stay still for 5 minutes at least.  No mean feat.  Here are the pictures. NB Andy is not wearing the drysuit.  For this reference, I need to see what the body is doing beneath the dra
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